29 Nov - 12 Dec 2015
12 - 8pm
Paris
boulevard Voltaire
Paris, Ile de France,
75011
France
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[Clameur : (kla(a) r). n. f. (fin XIème ; lat. clamor, oris «cri »). Ensemble de cris confus, tumultueux.V. Bruit, tumulte, moe vacarme, acclamation. Antinomique : silence. ]
A grass root musical performance to express as dramatically as possible the expectations, the worries and the engagement of every one of us.
What is the purpose of the Great Clamour for the Climate?
To occupy public space by collectively emitting a sound that is so powerful that it will render the presence of citizens audible and visible. International conferences such as COPs, to be fully democratic, need to listen to the voice of non-experts: those who represent the great majority of the planet’s inhabitants, who are totally concerned by climate change, and who are simultaneously victims and causes of what happens under their feet and above their head.
An open process and a participatory performance:
“The Great Clamour for climate” will be built from all the propositions initiated by individuals, groups, networks, and collectives who wish to participate and contribute to the emission of the collective sound. This participative and inclusive dimension is what will allow citizens to become aware of what is at stake with climatic change and why the success of the COP21 is so important.
A collective sound:
For such a collective expression, the voice of all is needed, professional as well as amateur musicians, scientists, citizens, artists, to bear witness that we are deeply worried and that we wish to quickly invent new solutions. Things are amiss as the evolution of climate shows too well, a change must occur. This is what we wish to say, by inventing a collective musical expression that makes sure that all voices can be heard.
Coalition Climat 21 – contact : Juliette Rousseau, coordinatrice
Avaaz – contact : Pascal Vollenweider, directeur de campagne
350.org – contact : Kevin Buckland
With active support :
Le centre Pompidou
L’opéra de Paris
With :
Institut de Physique du Globe de Paris –contact : Jérôme Gaillardet, géochimiste
Tara Expéditions – contact : Romain Troublé, secrétaire général
Sciences Po Ecole des Arts politiques (SPEAP) – contact : Bruno Latour
Université Paris 1 Panthéon Sorbonne Master Projets culturels dans l’espace public – contact : Pascal Lebrun Cordier
Université Paris 1 Panthéon Sorbonne UFR Arts plastiques et sciences de l’art– contact Yann Toma
Université Paris IV Master Géographie et alimentation – contact Gilles Fumey
IRCAM – contact : Frank Madlener, directeur
Décor sonore – contact : Michel Risse, directeur artistique
And :
Laboratoire LOCEAN (UPMC Université P. et M. Curie) – contact : Marie-Noelle Houssais
Fondation Nicolas Hulot pour la nature et l’homme – contact : André de Marco, conseiller auprès de la direction
Toxic Tours – contact : Jade Lindgaard, journaliste Mediapart
Sciences Po Paris – contact : Michel Gardette
Collège de France – contact : Philippe Descola, anthropologue
Musée du Quai Branly – contacts : Stéphane Martin, président et Victor Stoïchita ethnomusicologue
Association Nationale des orchestres à l’école – contact : Marianne Blayau, secrétaire générale
Futurs Composés Reseau national de la création musicale– contact : David Jisse, , président, compositeur
Ligue de l’enseignement Ile-de-France – contact : David Bree, directeur service éducation-culture
Place to B – contact : Anne Sophie Novel, économiste,fondatrice
Art of change 21 – contact : Alice Audoin, présidente
Diocèse de Paris –
Principauté de Monaco –
Le Centre George Pompidou –
With the support :
ONU – contact : Christiana Figuerres, Executive secretary of the United Nations Framework Convention on Climate Change (UNFCCC), coordinatrice de la COP21
Ministère de l’écologie, du développement durable et de l’énergie – contact : Nicolas Beriot, chargé du changement climatique et adaptation, correspondant du GIEC